Lonac's earliest forays into mural making and street art predate his time spent in art school at the University of Zagreb's Academy of Fine Arts. His first attempts were undertaken as a child on a wall in his backyard, followed by an experimental effort on the grounds of his primary school. This is one of those great apocryphal artist stories in which the art teacher, recognizing the 'vandal's' talent, had the school council subsidize the cost of the young renegade's art supplies. Since those first precocious initiations into the world of public art, Lonac has gone on to produce some of the most compelling murals in Bosnia, Croatia, China, Great Britain, Italy, the States, Switzerland, and elsewhere.
The artist's Croatian pseudonym translates loosely to 'cooking pot,' a nickname he hated as a child but went on to embrace while in search of a moniker as a young graffiti artist. After having spent his teen years as a graffiti writer, he began exploring figurative subjects and styles, expanding the scope of his aesthetic and the reach of his content. Working from a combination of influences, including a love of comics, graffiti, music, film, and an immersion in skateboard culture, Lonac developed a signature style that incorporates highly sophisticated representation with free association and surreal juxtapositions. His works often contain portraits of people he knows, including himself, his father, and friends, bestowing a level of intimacy and diaristic intimation to the imagery instead of a generalized anonymity.