'I understand digital graphics as 21st century “found objects”. I am interested in the ones that are exposing a certain rawness, oddity, or awkwardness. From the last 20 years, I was inspired by the fact that graphical spectaculars could end up being rawness and ridicule in the digital image evolution. However, it is that rawness and ridicule that triggers the same creative impulse with what the painting process can offer: could be surprise, a shifting attitude, a more extreme. I want my practice to simulate a modern production method, but with a high fault tolerance.'