British artist John Stezaker (b. 1949) intervenes with found images - typically old film stills, vintage postcards, or Hollywood headshots - by excising critical parts of the composition or by juxtaposing two seemingly unrelated images. His concise alterations have a surprising surreal effect and psychological force. In a world saturated by images, Stezaker's manipulations create space both physically and metaphorically for alternative interpretations, for exploring the seams and fissures of the visual world.