The Subconscious paintings by George Morton Clark are radical alienation Of faces and images, which usually have a negative aura, a touch of irony and sadism or an expression of anxiety and mental abyss. Morton-Clark is with his picturesquely approaches to psychological representations of people, types or cinema-heroes in search of a deeper reality, which is composed of dream imagery, fearful imagery, socio-psychological contexts or even imaginary perceptions. Painting as a psychogram of society, mirror with tormented and excruciating psyche within the human being. ..Influences of Arnulf Rainer, Jean-Michael Basquiat and Street painters show a dispute with the ‘honesty of the streets’ and the realities which are hidden behind the visible reality.